2024 Scholarship Opportunities
Over the past 4 years, the Peter Moore OAM Scholarship has awarded over $25,000 to assist and inspire tertiary students. Applications for 2024 are now open...
Over the past 4 years, the Peter Moore OAM Scholarship has awarded over $25,000 to assist and inspire tertiary students. Applications for 2024 are now open...
"I began playing in the WA Youth Orchestras Association in 2017 in Sinfonietta. After spending a year in Sinfonietta, Collegium and Philharmonic, I joined the WA Youth Orchestra in 2020. I have learnt so much from all the different ensembles and they have all strongly contributed to my musical journey thus far."
"2023 will mark my tenth year as a member of the WA Youth Orchestras program. I have enjoyed making wonderful music with many different colleagues, conductors, and various ensembles. My journey began in 2014 with the Sinfonietta String Orchestra...
Emma is one of the recipients of a 2023 Peter Moore Scholarship. She writes about her WAYO experience: I have been a part of the WAYO organisation for three years. I initially joined the Philharmonic in 2021, and then moved into the orchestra in 2022. This year I am very excited to be the principal horn of the Western Australian Youth Orchestra. Being a part of WAYO has been fundamental in my development as a young musician...
Erica is one of the recipients of a 2023 Violin Scholarship. She writes about her WAYO experience: My WAYO journey began in 2015 as a member of the Collegium ensemble. Enjoying my first taste of orchestral playing, I decided to continue my journey in Philharmonic from 2017-2018. From 2019 until now I have been apart of the WAYO orchestra and haven't looked back since!
Through the support of our generous donors, sponsors and supporters, WA Youth Orchestras is home to a family of high-quality instruments including an outstanding 18th Century Cello and bow valued at approximately $50,000. [ read more ]
Originally from the Southern Highlands of New South Wales, Melody recently relocated to Melbourne via the USA, where she completed her Doctor of Music, to take up a full time post at the Melbourne Conservatorium of Music. Her work draws on both multi-media and traditional instrumental contexts, as well substantial extra-musical references to a broad range of philosophical topics and late 19th Century literature. Recent commissions include a percussion [ read more ]